The Cult of Ghoul

The Cult of Ghoul

The Cult of Ghoul

уторак, 2. септембар 2014.

Doktor strave: dva nova horor intervjua

U drugoj polovini jula bio sam gost festivala "Kratkofil" u Banjaluci. Moj izveštaj otuda stiže uskoro, a do tada – evo ih dv...

недеља, 31. август 2014.

THE MATRIX REVOLUTIONS (2003)

**(*) 2+ Drugi deo ove sage, čiju kritiku sam nedavno obznanio OVDE , skroz je ubio bilo kakva moja očekivanja od tre...

петак, 29. август 2014.

Dimitrije Vojnov o ZAVODNIKU

Kao što možda već znate, svojevremeno sam se družio s Dimitrijem Vojnovim (2004-2008), pa prestao nakon što je njega v...

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среда, 27. август 2014.

DILAN DOG u koloru: Obojeni program

Kao što znate, jubilarni brojevi redovnih epizoda Dilana rade se u koloru (broj 100, 200, 300...). A sada, najzad, evo...

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Основни подаци о мени

Dejan Ognjanovic: Niš, Serbia; Dejan Ognjanovic was born in Nis, Serbia, in 1973. He worked as a TA in American Literature at the Faculty of Philosophy, Nis (1999-2009). Got his MA in 2009 ('Gothic Motifs in the Works of E. A. Poe') and his PhD in 2012 ('Historical Poetics of Horror Genre in Anglo-American Literature'). Writes book and film reviews and articles for Rue Morgue magazine. In Serbia he has published 9 books: novels In Vivo (2003) and The Seducer (2014); three studies: Faustian Screen: The Devil in Cinema (2006), In the Hills, the Horrors: Serbian Horror Film (2007) and Poetics of Horror (2014), a collection of essays A Study in Terror (2008) and a book of interviews More than Truth (2017); and he edited H. P. Lovecraft's best stories (Nekronomikon, 2008.) and co-edited The New Frames (2008), on Serbian cinema. His essays were published in the books edited by Steven Schneider: 100 European Horror Films, 501 Movie Directors, 101 Horror / SF / Gangster / War Movies You Must See Before You Die, and also in Speaking of Monsters (2012) and Digital Nightmares (2015). He is an editor at Orfelin Publishing (Novi Sad, Serbia). His reviews in English can be found at Beyond Hollywood, Unrated and Quiet Earth.

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