Šta nas čeka od filmova vrednih pažnje u ovoj
godini? Evo, odabrao sam NEHOROR naslove koji mene najviše zanimaju, pa vi
proberite sebi, ili još bolje, dodajte šta je meni promaklo, u komentarima!
Na početku su mi oni najočekivaniji, a ovo nadole nisam
naročito rangirao...
Novi upcumming HORORI biće izlistani uskoro u
zasebnom pregledu...
Dau
Ilya Khrzhanovsky (Četiri)
An immersive biopic on Nobel prize winning scientist Lev Landu...
Manite fabulu radnje: ako vam nisu dovoljne slike iz filma koje ovde kačim,
...kliknite na moj rivju njegovog prvenca ČETIRI...
Ovo mora biti, u najmanju ruku, film godine!
Benedetta
Paul Verhoeven
A 17th-century nun in Italy suffers from disturbing
religious and erotic visions. She is assisted by a companion, and the
relationship between the two women develops into a romantic love affair.
With Charlotte
Rampling, Virginie Efira, Lambert Wilson...
Adoration
Fabrice du Welz
Co-written by du Welz and Vincent Tavier (of Alleluia and Man Bites Dog fame), Adoration
centers on 12 year old Paul, whose mother works as a cleaner for a private
hospital in the woods. When schizophrenic teen Gloria arrives, Paul finds
himself besotted, and plots to help her escape the hospital no matter the cost
to himself.
Lords
of Chaos
Jonas Åkerlund
A teenager's quest to launch Norwegian Black Metal
in Oslo in the early 1990s results in a very violent outcome.
Once
Upon a Time In Hollywood
Quentin Tarantino
Quentin Tarantino
Leonardo DiCaprio, Brad Pitt, Margot Robbie, Al Pacino, Dakota Fanning, James Marsden
Quentin Tarantino has recruited a killer cast to tell a story that revolves around an aspiring actor and his stunt double who attempt to establish their careers in Tinseltown in 1969 just as the Manson Family murders are taking place. So, you know, typical family-friendly Tarantino stuff.
We
Have Always Lived in the Castle
Stacie Passon
Stacie Passon
Film adaptation of the 1962 novel by Shirley Jackson. To star Alexandra Daddario, Sebastian Stan, Crispin Glover, and Taissa Farmiga.
Extremely Wicked, Shockingly Evil, and Vile
Joe Berlinger (Paradise
Lost)
Centered around serial killer Ted Bundy, with Zac Efron,
who will be playing the role of the murderous Ted Bundy, as well as Lily
Collins, John Malkovich, Jim Parsons, Haley Joel Osment and James Hetfield (Metallica)!
Only
Beasts (Seules les bêtes)
Dominik Moll
Director Dominik Moll returns to genre for his sixth film
Adapted from Colin Niel’s book of the same name,
this is about a woman is presumed missing or potentially dead when her car is
discovered on the side of a mountain road after a snowstorm. The police have no
leads but five people each harbor a secret connecting them to the woman’s
disappearance.
Suicide
Tourist
Jonas Alexander Arnby
Based on the novel by Rasmus Birch, which sounds
like something we’d expect from Yorgos Lanthimos, an insurance claims adjustor
(Coster-Waldau) is investigating the disappearance of a married man named
Arthur, who he tracks to a secretive luxury hotel where guests are assisted
with creating their fantasy suicides. The man finds himself trapped in the
hotel, trapped in his own existential dilemma.
Wild
Goose Lake
Director of Black Coal, Thin Ice
Wild Goose Lake concerns a gangster on the
run, sacrificing everything for his family and a woman he meets while on the
lam.
Wasp
Network
Olivier Assayas
Five Cuban spies land in Miami to infiltrate
anti-Fidel Castro groups after a series of deadly attacks in Cuba, with consent
of the US government.
Pure
As Snow
Anne Fontaine
With Isabelle
Huppert: a modern, erotic comedy re-telling of the Brothers Grimm fairy
tale Snow White. Fontaine
appropriates the Brothers Grimm to tell the story of Claire (De Laage), who
works at her late father’s hotel, which is now run by her vicious stepmother Maud (Huppert). When Maud’s young lover spurns
her for Claire, she plots to rid herself of her stepdaughter, who finds shelter
at a farmhouse with seven ‘princes.’
Wicked
Games
Ulrich Seidl
Re-teaming with his usual scribe, wife Veronika Franz, the narrative
of Wicked Games concerns two adult brothers who return home to Lower
Austria to bury their mother. Both men return to their lives, one in Romania
and one in Rimini. However, they’re forced to contend with other troubling
elements from their past.
Parasite
Bong Joon-ho
Bong returns to South Korea for his seventh feature:
a genre informed family drama (though perhaps not in the same vein of his
2006 The Host).
From Joon-ho’s own
script, Parasite concerns a family of four, each who has their own
set of unique characteristics. The director notes the film does not include actual parasites or alien creatures.
To
the Ends of the Earth
Kiyoshi Kurosawa
Kurosawa’s screenplay details how Yoko (Maeda), a
travel variety show host, finds herself tested when she takes her crew to film
a segment in Uzbekistan.
Jeanne
Bruno Dumont
Dumont adapts the latter half of Peguy’s text,
which entails Joan of Arc’s battles with the English, her court case, and
infamous burning at the stake. This will be the youngest cinematic iteration of
Joan of Arc as portrayed by a 10 year old.
Proxima
Alice Winocour (Disorder)
Reuniting with her Disorder scribe, Jean-Stephane Bron, Proxima the narrative
concerns a female astronaut living in Cologne, working for the European Space
Agency. Her relationship with her seven-year-old daughter becomes the focus
after she’s called away sooner than expected to join a year-long space mission.
By
the Grace of God
Francois Ozon
Ozon’s script centers on Alexandre (Poupaud), a man
in his 40s living with his wife and kids in Lyon. When he discovers the priest
who abused him decades prior is still working with children, he joins forces
with two other men to reveal the priest’s indiscretions.
The
Jonsson Gang (Jönssonligan)
Tomas Alfredson
Director Tomas Alfredson returns to
Sweden for the first time since his 2008 international breakout Let the Right One In with
the reboot of a popular 1980s television series, which was itself a remake of a
Danish television series.
The Jonsson Gang is a comedy concerning a group of
troubled criminals (including an alcoholic explosions expert) as they plan a
heist.
As
Long as the War Lasts (Mientras dure la guerra)
Alejandro Amenabar
Alejandro Amenabar makes his first Spanish language
film since 2004’s The Sea Inside
Co-written by Alejandro Fernandez, As Long as the
War Lasts documents the last six months in the life of University of Salamanca
rector Miguel de Unamuno, removed
from his position in 1936 after supporting the military uprising. But as
Franco’s troops begin to take over, Unamuno begins to reexamine his principles.
A
Golden Youth (Une jeunesse dorée)
Eva Ionesco
Actress and director Eva Ionesco re-teams
with Isabelle Huppert for her
sophomore film
Co-written by Simon Liberati, A Golden
Youth is set in 1979 and focuses on sixteen-year-old runaway Rose and her
twenty-something boyfriend Michel. Amidst a decadent nightlife they meet older
couple Lucille and Hubert (Huppert, Poupaud), who take the younger couple under
their decadent wings.
Nobody
Likes Me
The Czech directing duo behind the starkly
entertaining 2016 debut I, Olga
Hepnarova
Nobody Likes Me tells the story of Sara, an
independent young woman who works as a secretary at an army headquarters in
Prague. A loner who tends to observe the lives of others from a safe distance,
her world changes when she meets Martin, a soft-faced young man she becomes
enamored with. As their relationship develops, Martin shies away from intimacy,
eventually revealing himself to be intersex. Undaunted by this, the
relationship continues. However, she is ignorant of how the world will react to
Martin when she inadvertently reveals his secret.
J’accuse
Roman Polanski
Written by Polanski and his The Ghost Writer scribe Robert
Harris, J’accuse will address the
Dreyfus affair, a scandalous debacle which reverberated throughout Europe
from 1894 to 1906 from the perspective of Colonel Picquart (Dujardin) who
discovers the evidence against Captain Alfred Dreyfus (Garrel) to be false.
Picquart attempts to reestablish the reputation of Dreyfus before he’s
eventually appointed as the war minister in 1906.
About
Endlessness
Roy Andersson
Scripted by Andersson, About
Endlessness portends to be about the preciousness and beauty of our
existence, with narrator Scheherazade reflecting on a tableau of storylines,
which runs a gamut of Adolf Hitler, a priest, and a champagne loving woman,
amongst others.
The
Weeping Woman (La Llorona)
Jayro Bustamante
Written by Bustamante and Lisandro Sanchez, Woman
reconfigures the myth of La Llorona for a narrative beginning during the Civil
War, an armed conflict in Guatemale which led to genocide and violent
atrocities. Bustamante takes the original Medea-ish myth of a woman who drowns
her children in response to her husband’s infidelity and turns her plight into
a quest for justice in a vengeance narrative the director describes as similar
to Tarantino’s revisionist Inglourious Basterds (2009).
Valley
of the Gods
Lech Majewski
Polish director’s long gestating art-house sci-fi film. Three distinct
storylines intersect, including that of the richest man on earth (Malkovich), a
Native American legend, and a writer (Hartnett) who has the power to alter
reality.
Born
a King
Agusti Villaronga
Agusti Villaronga’s ninth feature Born a
King should be ready for 2019 in what stands as one of the Spanish
filmmaker’s largest productions in some time.
Henry Fitzherbert’s script (from a story by Ray
Loriga and Bader Al Samari) is set in 1919 and tells the story of Faisal, a
14-year-old Arab prince set to London on a diplomatic mission to secure the
formation of his Saudi Arabia.
Paradise
Hills
Alice Waddington
Producer and editor Alice Waddington makes
her directorial debut with the fantasy/sci-fi
film.
A wayward girl is sent to the reform school
Paradise Hills only to discover the high-class façade holds sinister secrets.
The
Tiger
Ukraine’s Miroslav Slaboshpitsky (The Tribe)
Based on the 2010 non-fiction book by John
Vaillant, The Tiger tells the tale of townspeople being terrorized by
a tiger with almost preternatural savagery after the villagers begin to
encroach on the creature’s habitat (which bears superficial comparison to
1996’s The Ghost and the Darkness).
For
Ever – Mindörökké
Gyorgy Palfi
Based on a novel by Sandor Tar about a post-apocalyptic Hungarian-Ukrainian
village.
Glass
M. Night Shyamalan
A sequel to Unbreakable and Split with Bruce Willis, Anya Taylor-Joy, James McAvoy, and Samuel L. Jackson to return.
The Invincible Dragon
Fruit Chan
Mixed martial arts star, Anderson Silva (aka The
Spider) has become an unlikely addition to the cast of director Fruit
Chan‘s new action thriller ‘The
Invincible Dragon’ (aka ‘Made in Kowloon’).
Headlined by rising action star Max
Zhang (‘Ip Man 3’), the film follows a Hong Kong police officer who
crosses over to Macao after his fiancée goes missing and accidentally
stumbles onto a series of murder cases.
Chan says that “the story is imbued with some Chinese mythical elements, which will set it apart from the
traditional Hong Kong cop thrillers”.
Riot Girls
Jovanka Vuckovic
The film is set four years after a mysterious
illness has killed all adults. The town of Potter’s Bluff has been divided into
two rival factions, the ‘Eastside’, made up of scrappy scavengers living
amongst the ruins, and the ‘Westside’ which hoards its wealth in the former
high school and is ruled by Jeremy, a brutal dictator.
“When Jack, an eastsider, is forced to kill two
westsiders while on a scavenging mission, he is captured and taken back to the
West side where he awaits public execution. Jack’s sister, Nat, and her best
friend, Scratch, must cross into dangerous territory if they have any hope of
saving him. Their treacherous journey reveals not only the power of their love,
but the depths of their courage.”
Godzilla:
King of the Monsters
Michael Dougherty
Millie Bobby Brown, Vera Farmiga, Sally
Hawkins
The crypto-zoological agency Monarch faces off
against a battery of god-sized monsters, including the mighty Godzilla, who
collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King
Ghidorah.
Serenity
Steven Knight
Matthew McConaughey, Anne Hathaway, Jason Clarke, Diane Lane
Interstellar co-stars Matthew McConaughey and Anne Hathaway reunite for this thriller about fishing boat captain who is pulled into a web of deceit when his ex-wife shows up and begs him to save her from her abusive new husband.
Steven Knight
Matthew McConaughey, Anne Hathaway, Jason Clarke, Diane Lane
Interstellar co-stars Matthew McConaughey and Anne Hathaway reunite for this thriller about fishing boat captain who is pulled into a web of deceit when his ex-wife shows up and begs him to save her from her abusive new husband.
Alita:
Battle Angel
Robert Rodriguez
Rosa Salazar, Jennifer Connelly, Christoph Waltz, Ed Skrein, Michelle Rodriguez
Initially scheduled for the summer of 2018, this James Cameron-produced adaptation of the Japanese manga had already been pushed back once to a December release, before Fox decided that month was already competitive enough. Jennifer Connelly, Christoph Waltz, and Michelle Rodriguez all co-star in this blend of live action and CGI about a cyborg girl who faces her past with the help of the scientist who rescued her from the scrap heap.
Robert Rodriguez
Rosa Salazar, Jennifer Connelly, Christoph Waltz, Ed Skrein, Michelle Rodriguez
Initially scheduled for the summer of 2018, this James Cameron-produced adaptation of the Japanese manga had already been pushed back once to a December release, before Fox decided that month was already competitive enough. Jennifer Connelly, Christoph Waltz, and Michelle Rodriguez all co-star in this blend of live action and CGI about a cyborg girl who faces her past with the help of the scientist who rescued her from the scrap heap.
Ad
Astra
James Gray
Brad Pitt, Tommy Lee Jones, Ruth Negga, Donald Sutherland
If you liked Interstellar, you may want to (tele)scope this one out. (Sorry.) Director James Gray (The Lost City of Z) takes to the outer reaches of space to tell the story of an engineer (Brad Pitt) who embarks on a fantastic voyage in pursuit of his father (Tommy Lee Jones), who took a one-way trip to Neptune 20 years prior.
James Gray
Brad Pitt, Tommy Lee Jones, Ruth Negga, Donald Sutherland
If you liked Interstellar, you may want to (tele)scope this one out. (Sorry.) Director James Gray (The Lost City of Z) takes to the outer reaches of space to tell the story of an engineer (Brad Pitt) who embarks on a fantastic voyage in pursuit of his father (Tommy Lee Jones), who took a one-way trip to Neptune 20 years prior.
Artemis
Fowl
Kenneth Branagh
Judi Dench, Josh Gad
Adaptation of the popular fantasy book series that centers on a young criminal mastermind who kidnaps a fairy in hopes of ransoming her to an evil pixie in exchange for his father.
Kenneth Branagh
Judi Dench, Josh Gad
Adaptation of the popular fantasy book series that centers on a young criminal mastermind who kidnaps a fairy in hopes of ransoming her to an evil pixie in exchange for his father.
Gemini
Man
Ang Lee
Will Smith, Mary Elizabeth Winstead, Clive Owen
Will Smith stars in this sci-fi thriller with shades of Rian Johnson’s Looper that centers on an assassin looking to exit his career as who faces his biggest obstacle: a younger clone of himself.
Ang Lee
Will Smith, Mary Elizabeth Winstead, Clive Owen
Will Smith stars in this sci-fi thriller with shades of Rian Johnson’s Looper that centers on an assassin looking to exit his career as who faces his biggest obstacle: a younger clone of himself.
Solidna lista. Dodao bih Prisoners of the Ghostland - Sion Sono.
ОдговориИзбришиodlična sugestija - ali za spisak koji tek spremam, koji se tiče HORORA.
ОдговориИзбришиNegde sam citao da ga tretiraju kao triler ali ipak je to Sono. I naravno da je bolje to stavi ti na listu horora. Kada smo kod Horora nadam se da je The Lighthouse visoko na listi ocekivanih filmova :)
ИзбришиGreta - Neil Jordan
ОдговориИзбришиZavod - Yuriy Bykov
Lizzie - Craig William Macneill
Shadow - Yimou Zhang
naravno da je SVETIONIK u samom vrhu očekivanih horora; super podsećanje na džordana! lizzie je procurila ima tome već mesec dana, tako da to više nije u 'očekivanjima' (nisam je još overio).
ОдговориИзбришиZar nije The Lion King najočekivaniji nehoror ove godine:)?
ОдговориИзбришиe, da...KRALJ LAVOVA je odličan. Bolji od crtaća, što je retko kome uspelo, tj nikom. Stvarno je savršen . Ja sam umrla :)
Избриши...procureo LION KING, moram ponovo da gledam i El Camino!!!
Избришиkoga bre zabole za detinjarije i rimejke tipa LION KING?! nego, evo ga oktobar se ubrzava, kreće sve više horora vrednih pažnje, a ja najzad juče zbacih sa sebe breme obaveza pa najzad mogu polagano opet da počnem da gledam šta se novo zadnjih dana i nedelja skidalo ali ne i gledalo...
Избриши...ali savršen je, aladin je ok, mož se pogleda, ali je zato tim barton, žešće sjebo malog damba, još ga i ona kobila eva grin zajaše, zamisli, malog damba. užas!
Избриши...odlična lista.
ОдговориИзбришиPored većine narečenih, sa nestrplenjem očekujem novi film Taika Waititija Jojo Rabbit- mnogo sam se naložila na istog nakon Thora.Uvrnut lik sa bliskim mi smislom za humor.
The Beach Bum mi deluje zabavno, filmove Richarda Linklatera religiozno sve gledam, te neću propustiti ni Where'd You Go, Bernadette, biopik o Eltonu džonu-Rocketman, te ekranizaciju The Goldfinch po romanu Done Tart.
procureo Jojo Rabbit!
Избришиđođo je nepojmljivo promašeno i besciljno bičevanje mrtvog konja koje je, povrh toga, još i napadno nesmešno. potpisujem svaku reč i svako slovo u ovom rivjuu. https://www.theguardian.com/film/2019/dec/20/jojo-rabbit-review-taika-waititi-hitler-comedy
Избришиkoga zanima, poceo je novi true detective https://www.imdb.com/title/tt2356777/
ОдговориИзбришиU odnosu na prvu sezonu koja je grunula odma na početku i držala pažnju do kraja,ovo je neka jadnjikava bleda kopija sa crncem koji šmira u glavnoj ulozi.
ИзбришиSlazem se, mislio sam da ce pokusati da se iskupe za dosta losiju drugu sezonu, ali dobili smo melanholicnog crnca i ofucanog belca na kliseiziranom zapletu sa dodatkom porodicne nostalgije. Pretenciozno, mlako govno.
Избришиodlična je prva, mada je previše obična, krije karte previše, i rasteže malko poviše, mada ne gnjavi. fali mi ozbiljniji nagoveštaj nečeg jačeg i većeg od običnog ubistva - ali i uopšte da je priča o ovome nešto 'veće od života'. a i druga je dobra, ali presporo se to odvija. fali mi jači narrative drive...
Избришиdublji hook...
mada, gledaće se ovo i dalje, nisam ni sumnjao; tj jasno mi je bilo da se neće ponoviti negledljivost II sezone. posle treće - sad mi već ozbiljno fali neki jači i zabavniji nagoveštaj i počinjem da se bojim kako ova priča nema ništa NAROČITO extra da ponudi, osim natprosečne egzekucije konvencionalnog materijala. nadam se da grešim, ali picolato je kreten i od njega se svašta loše može očekivati.
Mika Ninagawa ima dva filma za 2019: Diner (Kanako Oba contacts a mysterious site for part-time work. Because of this, her life is soon in jeopardy. She is then forced to work at the restaurant Diner as a waitress or she will be killed. Bombero is the owner and chef at Diner. The restaurant is membership only and their customers are all contract killers.) i adaptaciju romana Ningen Shikkaku tj. No Longer Human tj. 'Diskvalifikovan covek'.
ОдговориИзбриши...izašao je tizer za Jojo Rabbit, takođe, potvrđeno je da će Taika Waititi-a režirati četvrti nastavak Thora.
ОдговориИзбришиhttps://www.youtube.com/watch?v=VTqd4yNFuSw
Dobar je Parasite. Mislim da se moglo više sa ovim konceptom i likovima, ali zadovoljan sam.
ОдговориИзбришиTo znaci da je procureo! Vrh!!!
ОдговориИзбришиprocureo još pre 10ak dana. vrlo dobar, jaka trojka, ali kraj mu je slabašan.
ОдговориИзбришиBas sam se iznenadila da je i ove godine zlatnu palmu uzeo azijski film, prosle godine Kradljivci.
ОдговориИзбришиna samom vrhu mojih očekivanja sada stoji JOKER! javlja mi se da to manje od 4 ne može imati, a možda i nešto malko jače. 4+. 5-. videćemo, za oko mesec dana...
ОдговориИзбришиGule nemoj da ureknes i JOKER-a imao si visoka ocekivanja i od Lukine Suspirije i od Us Dzordan Pil-a pa su na kraju bili ispod tvojih ocekivanja ne znam za tebe ali ja sam oprezan kad su ocekivanja u pitanju
ИзбришиSvi imamo velika ocekivanja od hoakina finiksa, ipak je to HOAKIN FINIKS, od njega se to ocekuje, nikakva ocekivanja nisamo imali od Hit Ledzera, bilo mi je nebulozno, da mali, plavi, nezni deckic uopste dobije ulogu Jokera , to niko nije ocekivao a ispade - fenomen. Volim Finiksa ali mislim da je Hit Ledzer neprejebiv.
ИзбришиBez obzira da li je u pitanju hoakin finiks ili HOAKIN FINIKS svejedno sam oprezan sa ocekivanjima
ИзбришиPametno. Ne verujemo nikom dok sami ne pogledamo...
ИзбришиNa rts-u upravo ide Vinyan i na drugo gledanje je impresivan. Jedva cekam Adoration, sada mi to na samom vrhu ocekivanja.
Ti si od mene mnogo strasniji konzument korejskog produkta, objasni mi - ja uopste nisam razumeo THE HOST. Prepoznao sam neke elemente nase komunisticko-patrijarhalne zajednice u tome kako je sve birokratski i razvuceno, ali mi uopste nije bila jasna kombinacija apsurdistickog humora i horora. Sta je tu njima smesno, i strasno? I kao da imaju potpuno drugaciju percepciju vremena. Sve je nekako usporeno.
ОдговориИзбришиevo, MGW ti objašnjava (ja sam greškom obriso umesto da pustim ovaj komentar): Ako te je zbunio The Host, pogledaj tek prvi film istog režisera, Barking Dogs Never Bite, znači, i što se tiče humora i socijalne kritike (porodica, beskućnici, ćukodlaci itd.) In the nutshell, radi se o kinematografiji koja preferira, za zapadne oči, nešto duže trajanje filma, melodramu, i koja nema baš strogu žanrovsku disciplinu. Posebno u vezi Bonga, čiji je trademark miksanje žanrova i nešto crnji humor.
ОдговориИзбришиIma tu glupa gomila pojedinosti manje ili više povezani sa filmom, na primjer, parodiranje konfučijskog "Gunsabuilche" (king, teacher and father are one and the same), političke i poetičke aspiracije takozvane 386 Generacije, blaga subverzija monster-creature filma, ali i ovaj detalj, kao skica sveukupnog pristupa:
...in the brief sketch by Ahn Byung Sup of the history of Korean cinema from the 1910s to the 1980s. He claims that the prevalent emotional overtone in Korean cinema is sentimentalism, which is an expression of a national sentiment, han. Ahn characterizes han as a frame of mind or, better, an attitude—a sorrowful lament for persecution and a resignation to it. According to Ahn, sentimentality originated in Korea’s colonial past and was disseminated in Korea through the Japanese shinpa (shimpa in Japanese, literally meaning ‘‘new wave’’ but often referring to melodramatic tearjerkers), which was imported at the turn of the twentieth century. The satiric tradition in eighteenth-century Korean literature and performance art is replaced by sentimentalism, and the little humor that is found in Korean cinema of the 1950s and 1960s is a variation of sentimentality in the sense that it hinges upon the vilification and the subsequent punishment of the antagonist. Nancy Abelmann shares the same kind of methodology, although hers is more nuanced than Ahn’s. She attributes the prevalent melodramatic sensibility in Korean culture to the nation’s rapid historical transformation. Melodrama, broadly construed, provides one with both a mental framework with which to apprehend unpredictable social change and mobility and a vehicle with which ‘‘to dramatize issues central to rapidly changing societies.’’Underneath such parallel explanations, han functions like the Hegelian spirit, sustaining and propelling dominant cultural forms in Korea regardless of whether they are imported or indigenous.
e claims that the prevalent emotional overtone in Korean cinema is sentimentalism, which is an expression of a national sentiment, han. -
ОдговориИзбришиto mi je iskomunicirao, i taj ''han'' lici na nas samoupravni komunisticki i post-komunisticki mentalitet,
ali pored toga, imam utisak kao da je u Host-u imao empatije prema cudovistu, kao da je i ono jadno zrtva socijalnog usuda. moze biti, filosofiram napamet, da je to zato sto u ondasnjoj istocnjackoj filozofiji - ne znam da l praktikuju Tao ili Budizam ili - ne postoji provalija izmedju coveka i zemlje kao u Gotici, pa se monstruoznost ne javlja kao abjection nego kao organski deo sveta... opet sa svim tim recenim nije mi jasno sta je tu njima STRASNO, zar se oni stvarno plase one jegulje?
Teza o ''Hegelian spirit'' je the worst of Zizek. On svuda naprci dijalektiku gde god moze, a narocito voli evrocentricno da je natura drugim kulturama, gde Hegelijanski duh mora da udje u divljakovo telo i da ga civilizuje. Meni iz teksta proizilazi upravo suprotno - da su Koreanci vise u Spinozistickom majndfrejmu, barem sudeci po tome kako im je sve, i dobro i zlo, i smeh i uzas, u istom, imanentnom prostoru.
Pa najveća bomba 2019 je THE IRISHMAN a ovde ga ni nema na listi cccc!
ОдговориИзбришиDa citiram komentar ispod trejlera:'Finally some good movies again, jesus christ...its like waiting for rain in the desert these days' mislim ako je neko video onaj trejler i ostao indiferentan taj nikad ni nije bio filmofil.
a smejali ste mi se kad sam reko za očekivanja od DŽOKERA! a eno ga, upravo je dobio zlatnog lafa u veneciji! ko se sad smeje, a?! hahahahahaha!
ОдговориИзбришиNiko ti se nije smijao to je samo mjera opreza radi neispunjenih ocekivanja u proslosti a i pored zlatnog lafa u veneciji treba biti oprezan jer je i parazit dobio zlatnu palmu u kanu a ipak ti je "samo" jaka trojka
ОдговориИзбришиpa nije to 'samo' - jaka trojka je već nešto što može imati gulov pečat preporuke. odatle pa nagore kreću veoma dobri filmovi.
ОдговориИзбришиZnam ja da kod tebe jaka trojka ima pecat preporuke zato sam i stavio ove dvije crtice iznad samo ako mi DZOKER bude jaka trojka ja cu biti zadovoljan sve iznad toga me samo moze uciniti jos zadovoljnijim
ОдговориИзбришиJoker zaista deluje kao nesto sto moze biti vrlo dobro, trejler deluje sjajno, uzeo je i ZL, ko zna...
ИзбришиDŽOKER mi je dao ono što sam od njega očekivao, i ništa od onoga što su mu pojedini rivjueri zamerali. ne, ovo nije neodgovoran film, ovo je prilično pametan (mada ne genijalan) film.
ОдговориИзбришиhoakim je pokidao, želim da budem prvi i da mu ovom prilikom čestitam oskara koga će dobiti.
vrlo finih, prijatnih 4- (i gulov pečat, naravno).
elaboracija sledi na blogu, uskoro.
Dokumentarac MEMORY:ORIGINS OF ALIEN - nasred dokumentarca ljuta feministkinja objasnjava da su scene muskog silovanja i muske penetracije oslikavale KAZNU koju patrijarhat dozivljava zbog toga sto je uradijo zenama. Dok ona to govori, kamera pokazuje O'Banonov scenario u kome eksplicitno stoji: the crew is unisex.
ОдговориИзбришиDZOKER: ocajnicki pokusaj da se otrcanoj, izvestacenoj, dosadnoj Marvel-mitologiji nasminka poza socijalne relevantnosti, al tragovi mu smrde necovjestvom: on jednostavno u beskonacnost reprodukuje marketing-liniju JEZIVI KLOVNOVI. I u toj svojoj ''ambiciji'' da kriticki preispita nihilizam, i to kao predstavnik industrije koja VALJA NIHILIZAM, jos je prazniji od ''autenticnog'' arthauza.
ОдговориИзбришиTHE HAUNT: Pristojan klovn-horor koji bar nema Dzokerove Oskarovske ambicije, nego se zadovoljava da bude prilicno jezivkast i krvav.
ОдговориИзбришиBENEDETTA by verhoven je jedan mlitavi, starački, penzionerski, pešački film - školski primer francuskog istorijskog kostimiranog filma sa nešto malo golotinje i krvi kakav se svake godine prikaže na festu i zaboravi do sledeće.
ОдговориИзбришиtoliko je zaboravljiv da sam ga gledao još pre nedelju dana i sve zaboravim da bar ovde prijavim tu nebitnost. ne očekujte rivju jer evo zevam i spava mi se od same pomisli na taj film.
2+/3-